Caryl Churchill

Playwright

Churchill’s stage plays include Owners (Royal Court Upstairs, New York Theatre Workshop); Objections to Sex and Violence (Royal Court); Light Shining in Buckinghamshire (Joint Stock UK tour, Royal Court Upstairs); Vinegar Tom (Monstrous Regiment, UK tour); Traps (Royal Court Upstairs, New York Theatre Workshop); Cloud Nine (Joint Stock UK tour, Royal Court, Theatre de Lys); Three More Sleepless Nights (Soho Poly, Royal Court Upstairs); Top Girls (Royal Court, Public Theater, Manhattan Theatre Club); Fen (Joint Stock UK tour, Almeida Theatre, Royal Court, Public Theater); Softcops (RSC at the Pit); A Mouthful Of Birds with David Lan (Joint Stock UK tour, Royal Court); Serious Money (Royal Court, Wyndham’s Theatre, Public Theater); Icecream (Royal Court, Public Theater); Mad Forest (Central School of Speech and Drama, Royal Court, New York Theatre Workshop); Lives of the Great Poisoners with Orlando Gough and Ian Spink (Second Stride UK tour, Riverside Studios); The Skriker (National Theatre, Public Theater); Thyestes trans. from Seneca (Royal Court Upstairs); Hotel with Orlando Gough and Ian Spink (Second Stride UK tour, The Place); This Is a Chair (Royal Court); Blue Heart (Joint Stock UK tour, Royal Court, BAM); Far Away (Royal Court Upstairs, the Albery Theatre, New York Theatre Workshop); A Number (Royal Court, New York Theatre Workshop); a new version of Strindberg’s A Dream Play (National Theatre); Drunk Enough to Say I Love You? (Royal Court, Public Theater); Seven Jewish Children (Royal Court, New York Theatre Workshop); A Ring A Lamp A Thing an opera with Orlando Gough (Linbury Studio, Royal Opera House); Love and Information (Royal Court, New York Theatre Workshop); Ding Dong the Wicked (Royal Court); Here We Go (National Theatre); and Escaped Alone (Royal Court Theatre).

James Macdonald

Director

Macdonald has previously directed King Lear, Book of Grace, and Drunk Enough to Say I Love You? at The Public Theater. Previous New York productions include True West (Roundabout Theater); The Children, Top Girls (MTC/Broadway); Escaped Alone (BAM); Infinite Life, Cloud Nine (Atlantic Theater); Love and Information (Minetta Lane/NYTW, Obie Award); Cock (2010 Olivier and 2013 Lucille Lortel Award-winning productions); Dying City (Lincoln Center); A Number (NYTW); and 4.48 Psychosis (St. Ann's Warehouse). Recent London work includes Boys on the Verge of Tears (Soho Theatre); What If If Only, One For Sorrow, The Children, Escaped Alone, The Wolf From the Door, Circle Mirror Transformation (Royal Court); Infinite Life, The Welkin, John, Dido Queen of Carthage, The Hour We Knew Nothing of Each Other, Exiles (National Theatre); Night of the Iguana, Who's Afraid of Virginia Woolf?, The Father, Glengarry Glen Ross (West End); Bakkhai, A Delicate Balance, Judgment Day (Almeida); and A Doll’s House Part 2, The Way of the World, and Roots (Donmar). Macdonald directed Caryl Churchill’s A Number for HBO/BBC.

Enver Chakartash

Costume Design

ENVER CHAKARTASH (Costume Design). Broadway: English, Romeo + Juliet, Stereophonic, A Doll’s House, Is This A Room. Off-Broadway: Becoming Eve, Teeth, Pre-Existing Condition, Public Obscenities, Wolf Play. Regional: Highway Patrol (Goodman Theatre). Film: Reality. For Stereophonic Enver won a Drama Desk Award and received a Tony Award Nomination.

Isabella Byrd

Lighting Design

ISABELLA BYRD (Lighting Design). Broadway: Cabaret, An Enemy of the People, Romeo+Juliet. Notable Off-Broadway: Infinite Life, Primary Trust, Epiphany, Sanctuary City, Heroes of the Fourth Turning, Corsicana, Plano. International: Cabaret (West End), Weather Girl. Awards: two-time 2024 Tony nominee, Drama Desk Special Award, three Lortels, two Obies, Henry Hewes, Olivier nomination. Proud USA829 member, pay equity sustainability advocate. www.isabellabyrd.design

Bray Poor

Sound Design

Broadway: Appropriate (Tony Nom, Drama Desk Nom) The Sign in Sidney Brustein’s Window, Take Me Out, True West, The Glass Menagerie, The Real Thing, in the next room, American Plan. Off Broadway: Multiple shows at the Pubic, Playwrights Horizons, New York Theater Workshop, Soho Rep, MTC, Second Stage, Signature, The Atlantic and others. Most recently the Churchill plays at the Public. Regionally, all over the country, as well as productions in Europe and Latin America; Art Residency in Mexico. Lortel, Drama Desk nominations, Obie for Sustained Excellence in Sound. FILM: Music and sound for the feature documentary, The Unfixing.

Michael Rossmy

Stunt Coordination

MICHAEL ROSSMY (Fight Director). Broadway: Purpose, A Tale of Two Cities, Cymbeline. Off-Broadway highlights include The Public Theater, Roundabout, Primary Stages, and The Atlantic. Extensive regional credits. Rossmy is Resident Fight and Intimacy Director for Yale Rep; Lecturer in Acting and Stage Management, DGSD at Yale; Combat and Intimacy Advisor for Yale College.

Amanda Quaid

Dialect Coaching

AMANDA QUAID (Dialect Coach) has taught speech and accents in New York for over 20 years. Recent theater includes The Wanderers (Roundabout), Becky Nurse of Salem (LCT), and Crumbs from the Table of Joy (Keen Company). She currently teaches at the David Geffen School of Drama at Yale. For more information, visit talkshopnyc.com.  

Caroline Englander

Production Stage Manager

CAROLINE ENGLANDER (Production Stage Manager). Select credits: We Are Your Robots (TFANA); Find Me Here, Deep Blue Sound (Clubbed Thumb); Half-God of Rainfall (NYTW, ART); The Jungle (St. Ann’s Warehouse, STC); Becky Nurse of Salem (LCT); Hamlet & Oresteia (Park Avenue Armory); The Vagrant Trilogy, The Outer Space, The Great Immensity, The Apple Family Plays (Public Theater). BA: Barnard College. 

Luisa Sánchez Colón

Stage Manager

LUISA SÁNCHEZ COLÓN she/her (Stage Manager). Broadway: Hell’s Kitchen. Off-Broadway: Hell's Kitchen, Comedy of Errors, The Vagrant Trilogy, cullud wattah, Mobile Unit’s Summer of Joy, The Line, UTR Festival, Mojada, White Noise, Miss You Like Hell, Oedipus El Rey (The Public); A Bright New Boise (Signature Theatre); Where the Mountain Meets the Sea (MTC); The Nosebleed, Greater Clements (LCT).